It’s hard not to get choked up with that blind monk when he chants, “I’m with the Force and the Force is with me.
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But with the smashing Jones giving us a female warrior to rank with the great ones and a cast that knows how to keep it real even in a sci-fi fantasy, Rogue One proves itself a Star Wars story worth telling.
It’s no lie that some of the interactions get lost under the weight of front-loaded exposition. Luckily, there are no cutesy Ewoks to soften Jyn’s journey into the heart of Imperial darkness.
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Rogue One actually gets better as it goes along, and the combat-heavy last third of the movie is pure pow with a cherry on top.Īs always, a Star Wars movie lives or dies depending on how much we give a damn or don’t about the characters. And the use of hand-held cameras lets Edwards take us right into battle. From X-wing dogfights to battle scenes that resemble those in Apocalypse Now, Edwards makes you feel every obstacle as the outnumbered rebels face off against the vast Empire, run by Krennic and Vader. Then there’s the action, which Edwards handles like a jedi master and a kid with new set of toys. “There’s a 84 percent chance we’ll all be killed,” the droid announces lightly. The ‘bot’s unasked-for statistical analyses of every war strategy is daunting and, OK, hilarious. Best of all is Alan Tudyk as the voice of K-2S0 (Kaytoo to his masters), a security droid with a mouth on him. For sheer scene-stealing wow, though, you can’t beat Donnie Yen as Chirrut Imwe, a blind warrior monk, and Riz Ahmed as Bodhi Rook, a nutjob Imperial pilot now siding with the rebels. And she gets it from her mentor Saw Gerrera (Forest Whitaker) and – for a hint of romance – the dashing insurgent, Captain Cassian Andor (Diego Luna). Jyn’s mission impossible is to steal the plans for the massive planet-destroyer and foil the villainous Imperial special weapons director Orson Krennic, played by the great Ben Mendelsohn with the most delicious shades of fright and fun this side of Christoph Waltz. A born rebel, she’s watched the Empire corrupt her scientist father, Galen ( Mads Mikkelsen), by forcing him to help build the ultimate lethal weapon – that’s right, the Death Star – and a true a-ha moment for Star Wars junkies. (So is the John Williams score, though new composer Michael Giacchino samples just enough to get our blood up.) High fives for Felicity Jones, an Oscar nominee for The Theory of Everything, who happily gets her hands dirty and rolls in the muck as Jyn Erso. We’re still in a world set “long, long ago in a galaxy far, far away,” but that’s it for info the long scrawling text that opens official Star Wars films is absent here. In a time of conflict, a group of unlikely heroes band together on a mission to steal the plans to the Death Star, the Empire’s ultimate weapon of destruction.
Singer Paulette McWilliams on Her Years With Marvin Gaye, Michael Jackson, and Steely Danĭirector Gareth Edwards ( Godzilla) has cooked up just enough plot to set everyone’s wheels spinning, though he cuts right to the chase. Rogue One: A Star Wars Story From Lucasfilm comes the first of the Star Wars standalone films, Rogue One: A Star Wars Story, an all-new epic adventure.
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